Friday, December 11, 2009

Luc Tuymans at SFMOMA 02.2010

Image: Iphone, 2008

'[Tuymans's] most famous piece is an empty, otherwise-anonymous room with the chilling title "Gas Chamber". ... [He uses] banal, decontextualized images as stand-ins for some of history's most troubled moments. ... Helen Molesworth, the co-curator of this exhibition said, "When you stand in front of his paintings, you can't believe how beautiful they are. They have an eerie quality of developing before your eyes, like a photograph in a darkroom tray, and an uncanny sense of light and fluidity. They make you think about how just about anything in our culture can be turned into a pretty picture, and how used to it we are."'
[Monica Khemsurov, "Seeing is Believing", T Magazine (Fall 2009): 56,]

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